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| | | | Cigarette and Tobacco News:Living and breathing the hookah cultureRead Complete Article: Los Angeles Times, 2009-06-01
Author: Raja Abdulrahim
Summary:
Having perfected his skills for making tobacco bowls out of fruit, Ramirez, 43, has made a name for himself as the go-to hookah guy in Los Angeles' Middle Eastern community. . . .
He came into the U.S. from Mexico in 1999. But he eventually obtained a work permit with the help of his employer, Phoenicia restaurant owner Ara Kalfayan. Now Ramirez is applying for an EB-3 visa reserved for "skilled workers."
On his application, under job description, Ramirez wrote: nargileh specialist. As his sponsor, Kalfayan wrote in the petition letter that Ramirez's "services are eminent for the success of our restaurant and the service provided to our patrons."
Immigration officials had never heard of such a job description, Ramirez said.
Soon after arriving in California, the former carpenter and factory worker found a job as a busboy at Alcazar, a Middle Eastern restaurant in Encino. . . .
Using fruit to make hookahs is common in parts of the Middle East but relatively rare in the United States, said George Egho, owner of Glendale-based www.thehookah.com, which sells pipe supplies.
"They do it in the Middle East all the time," Egho said. "It's pretty trendy."
One day Ramirez walked into the restaurant's kitchen and grabbed an apple. That's when he began experimenting
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| | | | Tobacco History:
Cigarettes and Literature | The Social History of SmokingGeorge Latimer AppersonChapter 7:Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.
In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.
Read More | The Social History of SmokingGeorge Latimer AppersonChapter 13:The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:
Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.
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